- Sectional Form -
The following three representational models portray an attempt to express creativity whilst defining a specific form within space. The first portrayal suggests the notion of simplicity with regards to an individual cubes form, which through development in the form of a sectional incision reveals the more complex form of study. The second representation defines the sectional form through the relative autonomy of architecture, as the form is perceived through proportional extensions twisting upon a central axis. Finally we identify through the third model a simple portrayal of form through the direct repetition of the form of study to thus extend the responders perception from considering the relative to absorbing the obvious.
The following three representational models portray an attempt to express creativity whilst defining a specific form within space. The first portrayal suggests the notion of simplicity with regards to an individual cubes form, which through development in the form of a sectional incision reveals the more complex form of study. The second representation defines the sectional form through the relative autonomy of architecture, as the form is perceived through proportional extensions twisting upon a central axis. Finally we identify through the third model a simple portrayal of form through the direct repetition of the form of study to thus extend the responders perception from considering the relative to absorbing the obvious.
- Fisher House Site -
The Fisher House from Louis Kahn of 1960 as perceived below portrays a true architectural interplay of simplistic linear elements within a natural context. Such an interplay defines the spatial dimension upon the responder’s perception as we begin to identify the relative beauty encompassed within the correlation of materials upon the citing.
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